Running with the Devil: power, gender, and madness in heavy metal music
(Book)
Author:
Series:
Published:
Hanover, NH : University Press of New England, [1993].
Format:
Book
Physical Desc:
xviii, 222 pages, 12 unnumbered pages of plates : illustrations ; 24 cm.
Status:
CMC Steamboat Campus
ML3534 .W29 1993
Description
From the Publisher: A Choice Outstanding Academic Book. A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power.
Copies
Location
Call Number
Status
Last Check-In
CMC Steamboat Campus
ML3534 .W29 1993
On Shelf
May 15, 2023
Location
Call Number
Status
Last Check-In
ASU Main (3rd floor)
ML3534 .W29 1993
On Shelf
Apr 30, 2024
Citations
APA Citation (style guide)
Walser, R. (1993). Running with the Devil: power, gender, and madness in heavy metal music. Hanover, NH, University Press of New England.
Chicago / Turabian - Author Date Citation (style guide)Walser, Robert. 1993. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH, University Press of New England.
Chicago / Turabian - Humanities Citation (style guide)Walser, Robert, Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH, University Press of New England, 1993.
MLA Citation (style guide)Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH, University Press of New England, 1993.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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More Details
Language:
English
ISBN:
0819552526, 9780819552525, 0819562602, 9780819562609
Notes
General Note
"Wesleyan University Press."
Bibliography
Includes discography.
Bibliography
Includes bibliographical references (pages 209-214) and index.
Description
From the Publisher: A Choice Outstanding Academic Book. A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power.
Staff View
Grouped Work ID:
bc8dd1f4-5b49-0081-d410-42e37f0ceed2
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Record Information
| Last Sierra Extract Time | Jan 24, 2025 07:40:21 AM |
|---|---|
| Last File Modification Time | Jan 24, 2025 07:40:46 AM |
| Last Grouped Work Modification Time | Jan 24, 2025 07:40:27 AM |
MARC Record
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| 100 | 1 | |a Walser, Robert. |0 https://id.loc.gov/authorities/names/n92106190 | |
| 245 | 1 | 0 | |a Running with the Devil : |b power, gender, and madness in heavy metal music / |c Robert Walser. |
| 246 | 3 | |a Power, gender, and madness in heavy metal music | |
| 264 | 1 | |a Hanover, NH : |b University Press of New England, |c [1993] | |
| 264 | 4 | |c ©1993 | |
| 300 | |a xviii, 222 pages, 12 unnumbered pages of plates : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Music/culture | |
| 500 | |a "Wesleyan University Press." | ||
| 504 | |a Includes discography. | ||
| 504 | |a Includes bibliographical references (pages 209-214) and index. | ||
| 505 | 0 | |a Metallurgies : genre, history, and the construction of heavy metal. Genre and commercial mediation ; Casting heavy metal ; Heavy metal in the 1980s ; Headbangers ; "Nasty, brutish, and short"? Rock critics and academics evaluate metal -- Beyond the vocals : toward the analysis of popular musical discourses. Genre and discourse ; Musicological analysis ; Writing about music ; Metal as discourse ; "Runnin' with the devil" ; Negotiation and pleasure -- Eruptions : heavy metal appropriations of classical virtuosity. Classical prestige and popular meanings ; Ritchie Blackmore and the classical roots of metal ; Edward Van Halen and the new virtuosity ; Randy Rhoads : metal gets serious ; Yngwie Malmsteen : metal augmented and diminished ; Popular music as cultural dialogue -- Forging masculinity : heavy metal sounds and images of gender. Behind the screen : listening to gender ; No girls allowed : exscription in heavy metal ; The kiss of death : misogyny and the male victim ; Living on a prayer : romance ; Nothing but a good time? Androgyny as a political party ; "Real men don't wear makeup" -- Heavy metal and postmodern politics. Professing censorship : the PMRC and its academic allies attack ; Suicide solutions ; Mysticism and postmodernism in heavy metal ; Horror and history ; Guns n' Roses n' Marx n' Engels -- Appendix 1. Heavy metal canons -- Appendix 2. Heavy metal questionnaire. | |
| 520 | |a From the Publisher: A Choice Outstanding Academic Book. A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. | ||
| 650 | 0 | |a Heavy metal (Music) |x History and criticism. |0 https://id.loc.gov/authorities/subjects/sh2009126264 | |
| 650 | 7 | |a Heavy metal (Music) |2 fast |0 (OCoLC)fst00954135 | |
| 650 | 1 | 7 | |a Rockmuziek. |2 gtt |
| 650 | 1 | 7 | |a Heavy metal. |2 gtt |
| 653 | 0 | |a Heavy metal (Music) |a History and criticism | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 830 | 0 | |a Music/culture. |0 https://id.loc.gov/authorities/names/n92106208 | |
| 856 | 4 | 1 | |3 Table of contents |u http://www.gbv.de/dms/bowker/toc/9780819552525.pdf |
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