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Impression: painting quickly in France, 1860-1890
(Book)

Book Cover
Published:
New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., [2000].
Format:
Book
Physical Desc:
240 pages : illustrations (chiefly color), portraits ; 28 cm
Status:

Description

Description not provided

Also in This Series

Copies

Location
Call Number
Status
Last Check-In
CMC Steamboat Campus
ND547.5.I4 B739 2000
Billed
Location
Call Number
Status
Last Check-In
WCU Book Stacks
ND547.5.I4 I43 2000
On Shelf
May 3, 2017

Citations

APA Citation (style guide)

Brettell, R. R. (2000). Impression: painting quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass.

Chicago / Turabian - Author Date Citation (style guide)

Brettell, Richard R. 2000. Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass.

Chicago / Turabian - Humanities Citation (style guide)

Brettell, Richard R, Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass, 2000.

MLA Citation (style guide)

Brettell, Richard R. Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass, 2000.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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More Details

Language:
English
ISBN:
0300084463 :

Notes

General Note
Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001.
Bibliography
Includes bibliographical references (pages 236-) and index.

Staff View

Grouped Work ID:
bb525999-1cf2-695f-b413-ba9c11f5b8ee
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Record Information

Last Sierra Extract TimeNov 29, 2024 03:22:08 PM
Last File Modification TimeNov 29, 2024 03:22:30 PM
Last Grouped Work Modification TimeDec 01, 2024 05:28:17 AM

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504 |a Includes bibliographical references (pages 236-) and index.
5050 |a The Impression in 1874 -- Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression -- Edouard Manet and performative painting -- Claude Monet and the development of the Impression -- Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic -- Alfred Sisley : the Impression, graphism, and automatic writing -- Could Edgar Degas paint an Impression -- Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? -- Coda : was van Gogh an Impressionist? -- Appendix : Laforgue's essay on Impressionism.
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