Impression: painting quickly in France, 1860-1890
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Brettell, R. R. (2000). Impression: painting quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass.
Chicago / Turabian - Author Date Citation (style guide)Brettell, Richard R. 2000. Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass.
Chicago / Turabian - Humanities Citation (style guide)Brettell, Richard R, Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass, 2000.
MLA Citation (style guide)Brettell, Richard R. Impression: Painting Quickly in France, 1860-1890. New Haven ; London, Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass, 2000.
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Last Sierra Extract Time | Nov 29, 2024 03:22:08 PM |
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Last File Modification Time | Nov 29, 2024 03:22:30 PM |
Last Grouped Work Modification Time | Dec 01, 2024 05:28:17 AM |
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245 | 1 | 0 | |a Impression : |b painting quickly in France, 1860-1890 / |c Richard R. Brettell. |
264 | 1 | |a New Haven ; |a London : |b Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., |c [2000] | |
264 | 4 | |c ©2000 | |
300 | |a 240 pages : |b illustrations (chiefly color), portraits ; |c 28 cm | ||
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500 | |a Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001. | ||
504 | |a Includes bibliographical references (pages 236-) and index. | ||
505 | 0 | |a The Impression in 1874 -- Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression -- Edouard Manet and performative painting -- Claude Monet and the development of the Impression -- Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic -- Alfred Sisley : the Impression, graphism, and automatic writing -- Could Edgar Degas paint an Impression -- Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? -- Coda : was van Gogh an Impressionist? -- Appendix : Laforgue's essay on Impressionism. | |
650 | 0 | |a Impressionism (Art) |z France |v Exhibitions. |0 https://id.loc.gov/authorities/subjects/sh2008104319 | |
650 | 0 | |a Painting, French |y 19th century |v Exhibitions. |0 https://id.loc.gov/authorities/subjects/sh2008108817 | |
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710 | 2 | |a Rijksmuseum Vincent van Gogh. |0 https://id.loc.gov/authorities/names/n84084114 | |
710 | 2 | |a Sterling and Francine Clark Art Institute. |0 https://id.loc.gov/authorities/names/n78096939 | |
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