In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The article pictured Pollock in a now-famous pose, wearing a worn black jacket and blue jeans, his arms crossed defiantly over his chest and one of his kinetic canvasses stretched out behind him. Already well-known in the New York art world, he had become a household name-America's first "Art Star"-and his bold and radical style of painting continued to change the course of modern art. But the torments that had plagued the artist all of his life-perhaps the ones that drove him to paint in the first place, or that helped script his fiercely original art-continued to haunt him. As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral that would threaten to destroy the foundations of his marriage, the promise of his career, and-on one deceptively calm and balmy summer night in 1956-his life. "Pollock" is directed by Golden Globe winner and Academy Award nominated actor Ed Harris, who makes his directorial debut, stars in the title role, and serves as a producer. The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew."